Catching Elephant is a theme by Andy Taylor
1.
RADIOHEAD - THE KING OF LIMBS
2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. AND THERE STAND EMPIRES - AND THERE STAND EMPIRES (no album art icon on google, lol) ————— Honorable mentions - The Del Toros-Young Blood Rising, The Panda Resistance-Oh, Helen!, Gary Clark Jr. EP, Radiohead-Live From The Basement
FLEET FOXES - HELPLESSNESS BLUES
WILCO - THE WHOLE LOVE
M83 - HURRY UP, WE’RE DREAMING
BON IVER - BON IVER
KURT VILE - SMOKE RING FOR MY HALO
MOGWAI - HARDCORE WILL NEVER DIE BUT YU WILL
ACTIVE CHILD - YOU ARE ALL I SEE
THE ROOTS - UNDUN
TOM WAITS - BAD AS ME
BATTLES - GLOSS DROP
OTHER LIVES - TAMER ANIMALS
THURSTON MOORE - DEMOLISHED THOUGHTS
GIRLS - FATHER, SON, HOLY GHOST
TUNE YARDS - WHOKILL
JAY-Z AND KANYE WEST - WATCH THE THRONE
BILL CALLAHAN - APOCALYPSE
THE MEN - LEAVE HOME (just heard this … i might get higher on the list but oh well)
THE STROKES - ANGLES
just watch this please andrew bird fans!
Craig Colorusso’s Sun Boxes sound + art project looks great: Sun Boxes are an environment to enter and exit at will. It’s comprised of twenty speakers operating independently, each powered by the sun via solar panels. There is a different loop set to play a guitar note in each box continuously. These guitar notes collectively make a Bb chord. Because the loops are different in length, once the piece begins they continually overlap and the piece slowly evolves over time.
Paul & Linda McCartney - Dear Boy (mono)
Love my bro, solikewise:
McCartney’s Ram (Apple, 1971) was the first record he (they, counting Linda) made after The Beatles split. It’s great, though at the time critics hated it because music was supposed to, y’know man, mean something, and Paul McCartney was, at the time, thought of as axiomatically incapable of meaning something, or meaning something enough anyway. Later on, critics realized music they had labeled as meaning something was actually music that was fatally self-absorbed, at which point they retroactively hailed Ram as great, which the rest of us already knew.
Lucky for us, Paul was self-absorbed enough to make a dedicated mono mix of Ram (and of the “Another Day”/”Oh Woman, Oh Why?” single) for promotional purposes, which was extremely rare for someone to do in early 1971, but dreadfully considerate of him, seeing how our 21st century fetishizing of mono mixes and the limited promotional release combined to make them among the rarest and most sought-after post-Beatles Beatle recordings.
I own this one. Great record.
This seems to be the future!